Series Synopsis
Seishu Handa
(voiced by Daisuke Ono) is a professional calligrapher who has risen to become
an up and coming star. He has poured
everything into his writing his whole life and given up a lot in the process. However, his latest piece is criticized for being too
textbook. Following a very public freak out, which involved the punching of an elderly critic in the face, Seishu is sent away to clear his mind.
The young artist arrives in a small rural community on Goto Island, far and away from the hustle of Tokyo. He hopes to finally find a style that is truly his own and to
do that he requires absolute peace and quiet. What he gets is anything but.
Upon his
arrival, Seishu meets six-year-old Naru Kotoishi (voiced by
Suzuko Hara). This energetic little girl instantly finds the newcomer fascinating and a lot
of fun. Much to Seishu annoyance, Naru comes over everyday to play with her
new friend. Along with this, the whole town quickly develops an interested in the newest resident.
Although the
quiet country life he was expecting turned out to be much more lively, Seishu
and his writing are clearly affect. Perhaps he can find the
inspiration he has been desperately searching for.
Series Positives
Seishu |
Barakamon is fantastic, absolutely
fantastic. I don’t think I’ve fallen in love with a series as fast as did with this one. The show managed to do in a few moments what I have seen others fail to do in
an entire running. It made something uniquely its own and made it work.
Naru |
As of the posting of this review a second series, Hanada-kun, is currently on air. However, I’d be
lying if I said I'm not disappointed that it isn't a sequel. To my knowledge, it is a
prequel story and therefore the island and its residents will most likely not
appear; I mean why would they? Still, I'm happy there's more to do
in this universe.
However,
before we get excited over what might be, we should take at a look at what we
already have and it's pretty great.
The Animation
The
animation, artwork, and backgrounds of Barakamon
are outstanding.
The series
wonderfully showcased it’s island setting, perfectly capturing the peaceful and
laid back atmosphere of the Japanese countryside. The way the ocean moves, the
colors of the sunset, and the vividness of a flawless night sky. It makes you
want to pack your things and head out there immediately. But there was also a lot
more going on.
Another show
with equally breathtaking artwork is Non
Non Biyori. Like Barakamon
it also portrayed the slow feel of rural town life. Yet there was something Barakamon did which added to its own charm. Unlike Non
Non Biyori, Barakamon felt like
it was set in a town where people lived. Kind of a strange thing to say, but hear
me out.
A major
element of Barakamon centered around
Seishu getting accustomed to country living and the nuances you
wouldn’t find in the big city. Therefore, it helped to put Seishu in such an
environment. Goro Island doesn't have the conveniences of Tokyo, but the people
who call this place home make it work. Non Non Biyori focused mostly on its
main cast having fun with each other and there wasn’t a whole lot of time given to
acclamation.
Barakamon and Non Non Biyori had their own styles and they're fantastic in their own ways, so it wouldn’t be right of me to say one is inherently
better than the other. If anything, this is what makes these shows stronger.
Among their
similarities, there's a lot which make them different and
special. I will praise, enjoy, and love both for separate
reasons. It is impossible to mistake one for the other. With the sheer amount
of anime I've watched, there are many shows that have blended together or I've forgotten about completely. This isn’t going to happen with Barakamon or Non Non Biyori.
The Characters
Everyone in
this show was so much fun. Everyone got a laugh, no one was ever unneeded, and
each person changed things up with their presence alone. Depending on who was
on screen or who was talking to who, the humor changed, the interactions were
altered, and the whole atmosphere felt alive.
Whenever
Seishu interacted with the different children of the island, his demnour
would change based on who he was speaking to. If it was Kentaro (voiced by
Seiya Kimura) he was more aggressive and combative. If it was Hina (voiced
by Rina Endo), who was unspeakably adorable, Seishu was kinder and more soft
spoken. If it was Akihiko (voiced by Megumi Han) he was more relaxed and more often than not it played out as though Seishu was the child talking to the
adult.
The
children may have been a handful at times, but they rarely compared to the
headache that came with Miwa (voiced by Nozomi Furuki), Tamako (voiced by Rumi Okubo), and Hiroshi (voiced by Koki Uchiyama).
The two
middle schoolers, Miwa and Tamako, were extremely unpredictable, but whatever
they were going to do was for sure going to cause more problems than anything.
Miwa was energetic and vulgar, making her more destructive. However Tamako, while considerably more reserved, could be a lot scarier if set off.
Hiroshi, of
all the characters, was the most down to Earth. There was a lot going on in his
life with him being in his final year of high school and all.
Therefore, he often had to be the level headed one of the group. Unfortunately,
much like Seishu, it didn’t take much for him to get annoyed and he could be quite bitter and spiteful when pushed over the edge.
Each one of
these characters could make a potentially great lead for their own shows, and
now having written that it would be something I would like to see very much.
Seishu and Naru
When it
comes right down to it though, the thing which made Barakamon so great was the relationship between Seishu and Naru.
Seishu is high
strung and Naru is full of positivity. Seishu tries to be structured where Naru has no grasp of what that means. This naturaly leads to
some truly funny moments that make this show one of the funniest I have seen.
However, it is the master-apprentice bond these two have. Naru
looks up to Seishu and wants to spend as much time with him as possible. For
her birthday, the present that got her the most excited was a simple handwritten coupon from Seishu allowing Naru to get one day to do whatever she wanted with him.
There were also plenty of times when it was unclear who was teaching who. Seishu may have begrudgingly accepted the idea that Naru, and the
rest of the kids for that matter, made his home their base of operations. Yet
before he knew it, he was highly invested into what his little friend was
doing. Going back to Naru’s birthday, Seishu put in a lot of time, thought, and
painful effort into getting the perfect gift for Naru.
It is this
relationship which has me the most concerned about Hanada-kun. This was the main thing which gave Barakamon its entire feel and it simple can’t, and frankly
shouldn’t, be in the second series. To create something as meaningful as this
again is a large undertaking and I’m curious to see how Hanada-kun responds.
Series Negatives
Do I really
have something to say here? No, but let’s see what I can come up with anyway.
Did the humor go overboard on occasion? Maybe once, for like ten seconds. It doesn’t really matter since the rest of the show was extremely funny.
Did the humor go overboard on occasion? Maybe once, for like ten seconds. It doesn’t really matter since the rest of the show was extremely funny.
Were all the
characters used to their fullest? Sure there are one or two names I don’t
remember and were mostly background filler.
Were some of
the episodes a little predictable? Yeah I could more or less guess where an
episode was going to go and how it was going to get there. But in this situation, so what?.
Yes, the
lessons and morals of Barakamon weren't anything new or complex. Many end results were things I've seen
done over and over again. However, the point remains, I had a blast with this
series. I don’t have a problem arriving at the same destination, as long as getting there was entertaining.
Any show
that can keep me up until the early hours of the mourning is doing something
right because it means I'm having a lot of fun with it.
Final Thoughts
It might be a little unfair,
but Hanada-kun has a lot to live up to.
Barakamon is hilarious and fantastic.
The animation is energetic, the visuals are stunning, the characters are
memorable, and this is an easy recommendation. From a start which grabbed me
immediately to an ending I didn’t want to let go of, there was never moment were I
wasn’t having a blast.
Hands down,
this is one of the funniest anime I have seen and you can be damn sure I will
be using this show as a benchmark in the future.
Google+ Facebook Twitter |
No comments:
Post a Comment